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The GOP bill is called the "Make Entertainment Great Again Act," but it focuses on one particular venue: the John F. Kennedy Center for the Performing Arts. Significant obstacles stand in the way.

NPR's Scott Simon and ESPN's Michele Steele discuss the resignation of the head of the NFL players union, and the beginning of the second half of baseball season.

Steve Witkoff, United States Special Envoy to the Middle East, is making his first trip to Israel since May, at a moment when the U.N. warns Gaza is on the verge of all out famine.

The president and first lady visited Kerrville to meet local officials and families of the victims of the recent flooding. Trump promised federal support, but his team emphasized the state's role.

When Dana's son was hospitalized last year, it led her to a path of discovery about predatory online networks that groom children into harming themselves and others. Their reach is global and growing.

You might see more people wearing a neck cooling fan to fight the summer heat. But can they really help? We talk to experts about how our bodies deal with heat — and to people using the fans.

CBS canceled Stephen Colbert's late night show last week. By not appreciating, defending and nurturing The Late Show Paramount is muzzling its best voices, and diluting its own broadcast future.

Cole's French Dip -- the oldest continually operating restaurant and bar in Los Angeles -- is closing. Customers are mourning the restaurant and its "classic Hollywood feeling."

Congress voted to claw back federal funding to public media. Some of those hit hardest include community radio stations in areas that voted for the president.

Marvel superheroes Mr. Fantastic (Pedro Pascal), Invisible Woman (Vanessa Kirby), Human Torch (Joseph Quinn) and Thing (Ebon Moss-Bachrach) take on planet-devourer in Fantastic Four: First Steps.

Today's Full Moon is called The Buck Moon. At this time, the antlers of bucks (male deer) are in full growth mode.

The artist, best known for her portrait of Michelle Obama, said the Smithsonian's National Portrait Gallery wanted to keep her portrait of a trans woman out of the exhibition American Sublime.