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As the Trump administration resumes mandatory student loan payments, NPR hears from Americans who say they can't afford to repay.

Texting war plans on Signal to a journalist, Trump faces legal challenges over his use of the Alien Enemies Act, a planned visit to Greenland by the U.S. second lady raises eyebrows.

The Orthodox Christian tradition is strong in the tiny village of Kwethluk, Alaska. It recently welcomed clergy and pilgrims from around the world to canonize a local midwife and healer as a saint.

Sabrina Carpenter's new song, "Manchild," shows that she's an artist who acts like more like a comic than a straightforward pop star.

Amid a cluster of top 10 album debuts this week, there's a left-field hit with staying power: the soundtrack to the Netflix original movie KPop Demon Hunters, which surges into the top five.

On today's show, we hear from the directors of the new movie "Freaky Tales," then ODC/Dance talks about one of their upcoming shows, and the play "Fat Ham" puts a Black, Southern, queer twist on Shakespeare's "Hamlet."

The Library of Congress' new collection includes more than 5,000 items from the Broadway legend, including ideas for Sweeney Todd lyrics and notes for Glynis Johns as she sang "Send in the Clowns."

Far-Flung Postcards is a weekly series in which NPR's international correspondents share snapshots of moments from their lives and work around the world.

After working as an emergency medicine physician in Kansas City for years, Kathryn Miner started exploring other ways to help people in her community and pursued lifestyle and culinary medicine.

Silverman's parents died 9 days apart; the loss was a starting point for her comedy special. Ken Tucker reviews new albums by Willie Nelson and Ken Pomeroy. Escola explains the vision behind Oh, Mary!

Eighty-three years after the Pearl Harbor attack, a Black sailor is buried with military honors this week. For his family, it's long awaited closure.

Thomas' April 23 death at age 71 brings to a close one of the most significant avant-garde experiments ever conducted within the confines of pop music. Rock critic Ken Tucker reflects on his legacy.