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Two years after the Missouri Supreme Court struck down a similar measure, the state's Republican-led lawmakers passed a bill that would require residents to have photo identification to cast a ballot.

From a sun-drenched spot outside Electric Lady Studios, Jack Antonoff and company perform intimate revisions of songs from their forthcoming album, Take the Sadness Out of Saturday Night.

Universal free school lunch went away in Colorado when federal aid expired. A ballot measure seeks to restore that via a tax on the wealthy.

NPR's David Folkenflik speaks with Sara Gay Forden about her book, The House of Gucci, which has just been released as a feature film starring Lady Gaga and Adam Driver.

Tens of thousands of public sector workers — including rail workers and mail carriers — are striking December, in the largest series of labor actions the U.K. has seen in more than a decade.

NPR's Juana Summers speaks with Nadine Domond, head of women's basketball at Virginia State University, about the work to bring attention to Brittney Griner's case.

Sarah Hurwitz grew up in what she would describe as a culturally Jewish home. But it wasn't until she was in her 30s that she really connected with the spiritual identity she was raised with.

Agents from multiple agencies are joining the investigation into Wednesday's assassination of Haitian President Jovenel Moïse, but the Biden administration says it has no plans to send troops.

Pablo Picasso made studies of Lump, an adored dachshund. And Frida Kahlo's catalogue is packed with self-portraits featuring her pet monkeys and parrots.

NPR's Ayesha Rascoe interviews the directors of the new documentary Jeen-yuhs. The documentary offers an intimate look at the earliest days of Kanye West's career.

A Dangerous Business, by Jane Smiley, is mash-up of a Western, a serial killer mystery and a feminist erotic romp. Remarkably Bright Creatures, by Shelby Van Pelt, is a noir story about an octopus.

The comic/filmmaker is the subject of a new HBO documentary, Defending My Life, directed by his longtime friend Rob Reiner. In 1996, Brooks spoke about his early career in stand-up.