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For more than 50 years, Los Mirlos has cultivated its own Peruvian twist on cumbia, featuring reverb-heavy, surf-rock guitar. -
Photo: Zayrha Rodriguez/NPRMon Laferte aims to contradict, expose or challenge norms; she takes the assignment of performing in an office space as no exception.
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Not only does Tori Kelly fill the Tiny Desk with her commanding voice but also genuine joy and light. -
Not many bands can pull off an eight-minute rocker at the Tiny Desk. Chicago's finest lean into its excellent guitar playing, poignant lyrics and a sturdy, Midwestern sensibility. -
It's so easy to fall in love with the music of Mac Ayres. This set, backed by a stunning band, is profoundly satisfying, tastefully arranged and always in the pocket. -
In this moving performance, Mon Rovîa's soft, clear voice tackles difficult, yet poignant stories from his own life and the world. -
E.U. is an OG of go-go music, a heavily syncopated funk that features a slow and steady groove. Naturally, we celebrate 50 years of the native D.C. music with an office party. -
Isaiah Rashad put everything into this Tiny Desk. With bashful charm, the Chattanooga rapper gives an ambitious set of his best work thus far. -
"Weird Al" Yankovic returns to the Tiny Desk with a couple parodies, a Weezer pastiche and the Emmy-losing closing-credits blues-rock jam to Weird: The Al Yankovic Story. -
Audrey Hobert's catchy pop songs put words to the embarrassing thoughts rolling around in our heads. That funny, yet vulnerable exploration of desire turns out to be a perfect fit for the Desk. -
Death Cab for Cutie has a gift for making the ordinary feel breathtaking. The band splits this mostly acoustic set between new songs and fan favorites. -
Charlie Puth, one of the biggest pop hitmakers of the last decade, turns the Tiny Desk into a jazz club.
