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Out in the Bay

‘Faux Queen: A Life in Drag’

Fauxnique portrays Wonder Woman, one of many characters in her show "The F Word" at Oasis cabaret, San Francisco, 2016.
Gareth Gooch
Fauxnique portrays Wonder Woman, one of many characters in her show "The F Word" at Oasis cabaret, San Francisco, 2016.

Monique Jenkinson, a.k.a. Fauxnique, was the first cisgender woman to win the title "Miss Trannyshack" in 2003, raising many glittered eyebrows in consternation and launching a performance career that has taken her around the globe.

In "kiki" with Out in the Bay, Jenkinson shares live performance clips; reads from her memoir, Faux Queen: A Life in Drag; and spills T about where drag and feminism meet and about words that are “now Problematic with a capital P. Or rather, a capital T.”

Faux Queen takes readers into “the ‘shack,” the club gay male friends invited her into and that was central to the extraordinary, edgy San Francisco drag scene of the late ’90s and early 2000s.

Trannyshack was a late-night performance club that ran weekly from 1996 – 2008 with an annual pageant and later occasionally in SF and other cities, influencing drag globally. Deferring to transgender activists, founder Heklina changed the name to “T-Shack” in 2014, then to “Mother” in 2015.

“I’m not a transwoman and it’s not my purview … to say who can use this word,” Jenkinson told us, “but in the moment [tranny] was a cute nickname that drag queens and trans women had for each other” and it was used “very lovingly.”

The club transformed Jenkinson, who’d trained in classical ballet as a youngster, into Fauxnique: “Being invited into this weekly kind of down-and-dirty, loose, but very frequent and regular practice was a game-changer.”

Since her 2003 pageant win, Jenkinson, performing as Fauxnique, has created more than a dozen solo shows combing dance, spoken word and extravagant drag, including Faux Real, The F Word – clips of which we hear on Out in the Bay – and C*NT, or The Horror of Nothing to See. (Click titles to see photos and video clips.)

Anger fueled some of her shows. Especially when creating C*NT, she toldOut in the Bay, “I was deep in my feminist rage.” Yet she says it’s important to “keep your sense of humor and use it. All the gay men in my life have taught me that. They survived a plague through humor."

Learn more about Monique Jenkinson on her website, Fauxnique.net.

Please help us keep bringing queer air to your ears. Out in the Bay is an independent non-profit production. We receive no funds from podcast platforms nor from radio stations that air Out in the Bay weekly. Your gift will help keep LGBTQ voices and stories coming to you and others who might not be able to give. (Donate tabs on our website will take you to a Media Alliance interface. Media Alliance is our non-proft 501(c)3 fiscal agent. Your gift will be earmarked for Out in the Bay.)

This edition of Out in the Bay produced by Kendra Klang with sound design and editing by Christopher Beale.

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Eric Jansen is a long-time broadcaster and print journalist. A former news anchor, producer and reporter at KQED FM, San Francisco; KLIV AM, San Jose; and Minnesota Public Radio, Eric's award-winning reports have been heard on many NPR programs and PRI's Marketplace. His print work has been in The Mercury News, The Business Journal, and LGBTQ magazines Genre and The Advocate, among other publications. He co-produced the June 2007 PBS documentary Why We Sing!, about LGBTQ choruses and their role in the civil rights fight.