Lily Meyer
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Elizabeth Tallent writes: "For the sake of perfection, I took a voice, my own, and twisted until mischance and error and experiment were wrung from it, and with them any chance of aliveness."
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Chris McCormick's new novel layers the glitz and artifice of pro wrestling over a wrenching tale of two Armenian cousins whose involvement with a militant Armenian liberation group goes badly awry.
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Nicole Krauss and Zeruya Shalev are friends — and authors whose work is deeply bound up in their Jewish and Israeli identities. But both struggle with the pressure to represent those identities.
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The characters in Nona Fernández' new book are coming of age during Chile's brutal military dictatorship — and for them, video games are a useful framework for understanding the dangers all around.
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The stand-up comic's essays have soft and lovely moments, steering readers toward finding their own vulnerabilities. But Slate is not as open to self-exposure on the page as she is on the stage.
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Surrealist writer and poet Silvina Ocampo has been called "the best kept secret of Argentine letters," and two new translations have beautifully captured her evocative prose style for new readers.
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Nell Zink is a very funny writer, but the comedy never quite works in her new novel, which follows two aging punks and their daughter, from the Lower East Side of Manhattan in the '80s to D.C. today.
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Accomplished translator Jennifer Croft's first non-translated work is a hybrid, mixing photography and impressionistic autobiographical writing to tell the story of Croft's artistic coming of age.
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In the new collection, Ann Patchett tells of her resemblance to her mother, Lizzie Skurnick and Mat Johnson offer thoughts on mothers with dementia, and John Freeman contemplates his father's legacy.
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Fashion journalist Dana Thomas' book is a snappy, clear-minded attack on the fashion industry's rampant labor and environmental abuses — and also offers a path forward for consumers and the world.