Visual Art | KALW

Visual Art

Madeline Born

Oakland painter Paul Lewin brought his own touch to Afrofuturism. His work is inspired by nature, Afro-Caribbean culture, folklore and science fiction. Paul’s pieces have graced the covers of books by sci-fi greats Octavia Butler and N.K. Jemisin.

Courtesy of Jaimel Hemphill

Jaimel Hemphill’s comic book hobby grew into a passion. He and his friends launched National Press Comics, a publishing company in Oakland with diverse characters and genres. He stopped by to talk comics and wound up sharing a funny wrestling story.

Elisheva Biernoff centers people on her canvas, who are sidelined in society. She talks about her growth as an artist from New Mexico to the Bay Area. Her work is featured in the celebration of Fraenkel Gallery’s 40th anniversary.

Courtesy of Kimbery Acebo Arteche

Growing up in Maryland, cultural worker and interdisciplinary artist Kimberley Acebo Arteche didn’t see a lot of other Filipinos in the predominately white schools she attended. Traditional values were passed down from her family, but there weren’t a lot of other resources to help Kim learn more about her heritage.

99% Invisible: Speech Bubbles

Apr 13, 2018

Author of Understanding Comics: The Invisible Art, cartoonist and theorist Scott McCloud has been making and thinking about comics for decades. His classic volume explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used.

In her world exhibition, "Women:New Portraits" Annie Leibovitz updates the photos from the book she published in 1999 with Susan Sontag, called "Women."

In the interest of firm footing, let's first approach Momentum Still, a group installation now at headquarters gallery, by way of literal description. First observation: Ornately patterned rugs carpet the small, downtown Berkeley storefront studio, softening the usually hard-tiled interior. Second: A wreath of tree boughs, several feet in diameter, occupies the room's middle space, suspended from the ceiling by taut twine. The wreath itself supports a loose weave of string and wood planks, suggesting a sort of reconfigured dream catcher or rustic veil. A constellation of pinecones hangs in its midst. Third: One wall is paneled with salvaged wood planks of various shapes and sizes. The nooks between their strata contain little surprises: crystals, dried moss, 'zines, dollar bills, and so on.

In the interest of firm footing, let's first approach Momentum Still, a group installation now at headquarters gallery, by way of literal description. First observation: Ornately patterned rugs carpet the small, downtown Berkeley storefront studio, softening the usually hard-tiled interior. Second: A wreath of tree boughs, several feet in diameter, occupies the room's middle space, suspended from the ceiling by taut twine. The wreath itself supports a loose weave of string and wood planks, suggesting a sort of reconfigured dream catcher or rustic veil. A constellation of pinecones hangs in its midst. Third: One wall is paneled with salvaged wood planks of various shapes and sizes. The nooks between their strata contain little surprises: crystals, dried moss, 'zines, dollar bills, and so on.