If reality TV has a redeeming value, it's that it teaches you to be suspicious of claims that you're seeing real people doing real things. This is especially so in an age when memoirs bristle with made-up events, and everyone from the Kardashians to the Obamas orchestrate their media coverage. These days, it's hard to tell whether an article, book or TV show is showing you the real person or only a performance.
Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.
Twenty years ago, when brain imaging made it possible for researchers to study the minds of violent criminals and compare them to the brain imaging of "normal" people, a whole new field of research — neurocriminology — opened up.
Adrian Raine was the first person to conduct a brain imaging study on murderers and has since continued to study the brains of violent criminals and psychopaths. His research has convinced him that while there is a social and environmental element to violent behavior, there's another side of the coin, and that side is biology.
New York Times reporter C.J. Chivers, has spent much of the past year with the rebels in Syria, and has written poignantly about the impact of the fighting on the lives of ordinary Syrians and its devastating impact on that ancient land. Before becoming a journalist Chivers was a Marine and his knowledge of the military sometimes leads him to stories that only an insider would see.
When Marc Maron started his podcast "WTF with Marc Maron" out of his garage in September 2009, he was in a dark place: He was going through a divorce, his comedy career had hit a wall and — in his mid-40s — he didn't have a Plan B.
"I was at a place in my life where I had gotten very cynical," he tells Fresh Air's Terry Gross. "I had lost a lot of hope for my comedy and everything else, and I really feel that I was no longer able to really appreciate other people's stories. I had lost my ability to really kind of listen and enjoy the company of other people."
