Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
It isn't a long shot that David Milch's newest series for HBO, called Luck, will be on par with his HBO series Deadwood. It's a sure thing. HBO sent out all nine episodes of the show's first season for preview, so there's no guesswork here.
For someone who has spent the majority of his career making comedies, Woody Allen sees the world — and his lifelong profession — through a surprisingly dark lens.
"Life is a terrible trial, and very harsh and very full of suffering ... [Film] is a different kind of pain. Making a movie is a great distraction from the real agonies of the world," Allen tells Terry Gross.
In 1974, trumpeter Jimmy Owens helped prepare and played on a Carnegie Hall concert of Thelonious Monk's music. On the night in question, the orchestra had a surprise soloist: Monk himself. It was one of the pianist's last public performances.
As Albert Nobbs, Glenn Close has hair that's cropped and orangey, and a voice that rarely rises above a nasal croak. She lives and works as a waiter in a high-toned hotel, where she stands with lips pressed together, tight yet tremulous, her searching eyes her only naturally moving parts. She resembles no man I've seen, but no woman, either. She's the personification of fear — fear of being discovered to be a woman. Because hers is a society that treats all poor people badly, but poor women worse.
